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The Routledge Companion to Scenography

Edited by: Arnold Aronson

Print publication date:  October  2017
Online publication date:  September  2017

Print ISBN: 9781138917804
eBook ISBN: 9781315688817
Adobe ISBN:

10.4324/9781317422266
 Cite  Marc Record

Book description

The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies.

Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies.

Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance. Tracing a line from Aristotle?s Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library.

Table of contents

Prelims Download PDF
Introduction Download PDF
Chapter  1:  Stage and Audience Download PDF
Chapter  2:  Scenery Download PDF
Chapter  3:  Costume Download PDF
Chapter  4:  Light and Projection Download PDF
Chapter  5:  Sound (design) Download PDF
Chapter  6:  Scenography and the Senses Download PDF
Chapter  7:  THEATRICAL LANGUAGES Download PDF
Chapter  8:  Seeing scenography Download PDF
Chapter  9:  Absolute, abstract, and abject Download PDF
Chapter  10:  “What is happening” Download PDF
Chapter  11:  Scenography Beyond Theatre Download PDF
Chapter  12:  Participation, Interaction, Atmosphere, Projection Download PDF
Chapter  13:  Scenography in Greece and Rome Download PDF
Chapter  14:  Imagining the Sanskrit Stage Download PDF
Chapter  15:  Tudor and Stuart Scenography Download PDF
Chapter  16:  Playing with materials Download PDF
Chapter  17:  Architecture as Design Download PDF
Chapter  18:  The Open-Stage Movement Download PDF
Chapter  19:  Medieval Scenography Download PDF
Chapter  20:  Storyteller as Time-traveler in Mohammed ben Abdallah’s Song of the Pharaoh  Download PDF
Chapter  21:  Environmental Theatre Download PDF
Chapter  22:  The City as Theatre  Download PDF
Chapter  23:  Site-specific Theatre Download PDF
Chapter  24:  Free reign? Download PDF
Chapter  25:  Scenography in the First Decades of Opera  Download PDF
Chapter  26:  Restoration and Eighteenth-Century England Download PDF
Chapter  27:  Eighteenth-Century France Download PDF
Chapter  28:  Boxed Illusions Download PDF
Chapter  29:  Richard Wagner, Georg Fuchs, Adolphe Appia, and Edward Gordon Craig Download PDF
Chapter  30:  Russian Stage Design and Theatrical Avant-Garde Download PDF
Chapter  31:  Expressionism and the Epic Theater in early twentieth-century German stage design Download PDF
Chapter  32:  Bertolt Brecht and Scenographic Dialogue Download PDF
Chapter  33:  The New stagecraft Download PDF
Chapter  34:  Bauhaus scenography Download PDF
Chapter  35:  Metaphor, mythology, and metonymy Download PDF
Chapter  36:  Transformation of forms Download PDF
Chapter  37:  Modern and contemporary Czech theatre design Download PDF
Chapter  38:  Worlds of German design in the twenty-first century Download PDF
Chapter  39:  Modern British theatre design Download PDF
Chapter  40:  Latin American scenography Download PDF
Chapter  41:  Design in the United States and Canada Download PDF
Chapter  42:  Spatial oscillations in the American avant-garde Download PDF
Chapter  43:  Contemporary Chinese opera design Download PDF
Chapter  44:  Postmodern design for opera Download PDF
Index Download PDF
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